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Steve's Columns
LIFEWRITING NEWSLETTER:
Bridging myth and consciousness.
By Steven Barnes
February, 1999.
Step #1: The Hero is Confronted
with a Challenge.
"The price of greatness is responsibility."
Winston Churchill
To reiterate, Lifewriting investigates the relationship of myth
and storytelling to consciousness. Specifically, we're asking
the question: why does this one pattern of fiction has replicated
itself through all human history, and in all cultures?
"Firedance," the second, larger idea we'll be playing with,
is a holistic view of the body-mind connection, coordinating
elements of yoga, martial arts, mythic structure, and neuro-linguistics.
This model is highly theoretical, and feedback from those who
have played with it (including the readers of this letter) are
crucial to its development.
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Lifewriting suggests that the "Hero's Journey" repeats
itself not only because it is the basic course of our lives,
and is recognized as such by all people, but that the pattern
itself is a fascinatingly useful way to organize personal resources.
This enables writers to create a channel directly from their
lives into their writing, and vice-versa. Working on either
is working on both.
Our statement of Joseph Campbell's pattern is:
- Hero confronted with a challenge
- Initially, she rejects the challenge
- Then she is forced to accept it
- She sets out upon the road of trials
- On which she gains allies and powers
- She has her initial confrontation with evil, and is defeated
- She enters the "Dark Night of the Soul"
- She takes the Leap of Faith
- She confronts evil again, and this time is victorious
- The student becomes the teacher
For the next ten issues, we'll be examining these steps, and their
implications. In step #1, the "Confrontation", the issue is responsibility.
Clearly, the first and most important step in life is accepting
"Response-Ability" for your actions and the results you want.
We all know people who have refused to do this, blaming society,
parenting, spouses, employers or educators for their current
situation. How does this affect the three major arenas of life
(body, mind, and spirit)? To examine, let's look at the external
manifestations of these three arenas: Physical health, Career,
and Relationships.
Physically, this leads to people denying themselves their full
energetic aliveness. Telling themselves that genetics or environment
make it "impossible" for them to be fit, healthy, and sexy.
In careers, this leads to a person abandoning dreams because
they don't have the education or "opportunities," rather than
simply deciding to do Whatever It Takes to succeed ethically.
In relationships, this can lead to a string of damaged, destructive
affairs, rationalized as "there aren't any good man/women out
there." The person who takes responsibility commits to completing
whatever healing or growth may be necessary to attract and hold
a worthy mate.
Whatever your challenge in life, its root is likely to be found
in one of these three areas. By committing to heal in all three
of them, you are absolutely guaranteed to confront your demons
and any progress you make will be GENUINE progress, not merely
sweeping your problems under a rug.
MOVIE ANALYSIS How does this work in fiction? The suspense
film PLAY MISTY FOR ME, starring (and directed by) Clint Eastwood
is a good example. In this film, an obsessive fan (Jessica Walters)
stalks Eastwood. It is truly nail biting suspense, but one of
the interesting things is the complete passivity of his character.
Because we are used to Eastwood as a "Man of Action," decisive
and aggressive, we watch disbelieving as Walter's escalating
insanity unravels his world: he simply can't take a stand!
He is stuck at the "first step" of the hero's journey, and it
isn't until the end of the film that he is forced to take an
action (step two), and the entire third act is a collapsed form
of steps 3-9.
The last step, "Student becomes teacher" is left to the viewer's
imagination. Tension is created in the film by painting him
as a somewhat dishonest, manipulative seducer. He doesn't know
how to deal with honest emotion (his girlfriend) and let alone
insanely intense emotion (Walters). He is literally paralyzed.
I invite you to examine the times in your life that you have
been frozen by fear or complacency, and ask yourself:
- When I got myself out of it, what techniques did I use,
or what finally pressured me?
- What are three other movies or books where the plot existed
primarily to force the lead character to make a decision?
- What has "decision reluctance" cost me in my life? What
would I gain if I learned to take full responsibility for
my life and actions?
Until next time, remember it's your life: Be the Hero of your
story!
Steven Barnes
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